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  • Press Articles

    • A Condition Guide to Works on Paper, Rebecca Tutthill, Geist

      A Condition Guide to Works on Paper

      Rebecca Tutthill, Geist 24th April 2025

      This guide to works on paper explores how condition impacts collectibility, value, and conservation. Gain the insight needed to make confident, informed decisions when acquiring or caring for these delicate pieces.

    • David Hockney: A Journey Through Art & Innovation, Rebecca Tutthill, Geist

      David Hockney: A Journey Through Art & Innovation

      Rebecca Tutthill, Geist 24th September 2024

      An exploration of the evolution of David Hockney’s work from his early years to the present day. Throughout his career, Hockney has remained at the forefront of innovation, consistently challenging the status quo and redefining artistic boundaries.

    • 2024 Hockney Market Report, Jacob Harmer, Geist

      2024 Hockney Market Report

      Jacob Harmer, Geist 29th August 2024

      A comprehensive overview of the David Hockney iPad market, tracing the evolution of various series releases up to the time of publication. The article places a particular emphasis on Hockney’s Arrival of Spring series, examining key themes that have shaped the market’s development and trajectory.

    • Arturo Di Modica (1941-2021) Obituary, Clay Risen, New York Times

      Arturo Di Modica (1941-2021) Obituary

      Clay Risen, New York Times 21st February 2021

      In memory of Arturo Di Modica, The New York Times published a tribute to the Sicilian artist, tracing his journey from his penniless arrival in Florence to his rise in New York’s art scene. The article explores his career milestones, culminating in the ambitious projects he was working on in his final years.

    • The Outlaw History of Arturo Di Modica’s Crosby Street Studio, Christopher Bonanos, Curbed

      The Outlaw History of Arturo Di Modica’s Crosby Street Studio

      Christopher Bonanos, Curbed 26th February 2021

      Twenty years earlier, writer Christopher Bonas met Sicilian artist Arturo Di Modica at his 54 Crosby Street studio in New York. In this account, he recalls the wild story of Di Modica’s guerrilla-style construction of the studio—built using salvaged materials and excavating two levels underground, all without city approval.

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