THE ARRIVAL OF SPRING IN WOLDGATE, 25 FEBRUARY, 2011: Signed iPad print by David Hockney

  • The Arrival of Spring in Woldgate, 25th February 2011 is a signed iPad print by David Hockney depicting a tree stump

    The Arrival of Spring in Woldgate, 25th February 2011

    iPad drawing printed on paper
    55in x 41.5 In, Edition of 25
    ©David Hockney
     

    The Arrival of Spring in Woldgate, 25 February, 2011 is an iPad drawing by David Hockney that centres on a striking red tree stump rising from the forest floor. Rendered in saturated crimson tones, the stump is built up with energetic black linework that traces the texture of the bark, giving the form a sculptural presence within the composition. Around its base, tufts of green grass emerge through the ground, while mounds of warm red and orange foliage gather behind, suggesting the lingering traces of winter undergrowth. In the background, tall vertical tree trunks stretch upward, creating a dense woodland setting that fills the picture plane and frames the central form.

     

    In this work, Hockney emphasises the expressive potential of line as a structural element. Through layered colour, varied mark thickness, and the interplay between drawn and painted gestures, he constructs depth and movement across the surface. The digital medium allows him to build a complex network of marks, where vibrant colour and rhythmic line combine to create both texture and atmosphere, reinforcing the sense of observation that defines the Arrival of Spring series.

     

    To find out more about The Arrival of Spring, 25 February, 2011 and availability please get in touch below. 

  • "I'm a very early riser, and I don't like to miss that beautiful early morning light."

     
    - David Hockney
    In 2025, the Fondation Louis Vuitton in Paris presented a major retrospective of David Hockney’s work, bringing together hundreds of pieces from public and private collections in a rare institutional survey of his career. This renewed museum attention has supported continued demand for his digital works, particularly the Arrival of Spring in Woldgate series, which has shown strong performance across both auction and private markets. Through his pioneering use of new technologies, Hockney has secured a lasting and influential position in the art world, continually evolving his practice across decades. If you would like to explore the full breadth of his lifetime production, you can do so in our article Seven Decades of Production.
  • Close Ups: The Arrival of Spring, 25th February, 2011

  • FAQS: THE ARRIVAL OF SPRING, 25TH FEBRUARY, 2011

     

    WHAT CONDITION FACTORS SHOULD COLLECTORS REVIEW FOR THE ARRIVAL OF SPRING IN WOLDGATE, 25 FEBRUARY 2011?

    Collectors assessing The Arrival of Spring in Woldgate, 25 February, 2011, often review overall paper condition, colour stability, signature clarity, and any handling or framing marks. If you would like more information on how to care for works on paper, please read our condition guide to works on paper

     

    HAS THE ARRIVAL OF SPRING IN WOLDGATE, 25 FEBRUARY 2011 APPEARED AT AUCTION?

    Yes, The Arrival of Spring in Woldgate, 25 February 2011 has appeared periodically at auction, reflecting ongoing collector interest in the series. Auction performance, alongside private sale activity, can be reviewed through our Arrival of Spring price history database, which tracks results over time.

     

     

    HOW IS THE MARKET CONTEXT FOR THE ARRIVAL OF SPRING IN WOLDGATE, 25 FEBRUARY 2011 TYPICALLY ASSESSED?

    The market context for The Arrival of Spring in Woldgate, 25 February 2011 is generally understood by reviewing performance across the wider Arrival of Spring series, including auction results, private sale activity, and overall demand for Hockney’s digital works. Exhibition history, edition format, and condition can also influence how individual prints are positioned within the market. For a broader overview of trends, collectors often refer to series-level market analysis.