A Bright Night, 1978: Surrealist print by Roy Lichtenstein

  • BACK TO: SURREALIST SERIES A Bright Night, 1978, by Roy Lichtenstein presents a fragmented, surreal composition centred around a stylised...
    A Bright Night, 1978
    Lithograph on Arches 88 paper, sheet: 67.3 x 73.7 cm
    Edition of 38; plus 7 AP, 1 TP, 1 RTP, 1 PPII, 3 GEL, 1 C, 1 Change, Inc.
    ©The Estate of Roy Lichtenstein
     
    BACK TO: SURREALIST SERIES
     
    A Bright Night, 1978, by Roy Lichtenstein presents a fragmented, surreal composition centred around a stylised female face in profile, constructed through bold black outlines and flat blocks of colour. The image combines seemingly unrelated elements, including geometric forms, a star motif, an anchor, and abstract architectural shapes, all arranged within a compressed, layered space. Diagonal stripes and patterned sections divide the composition, while vivid areas of yellow, red, and blue contrast sharply with monochrome passages, creating a dynamic visual tension. The scene feels both constructed and disjointed, encouraging the viewer to piece together meaning from its symbolic and abstract forms.
     
    Produced as a lithograph on Arches 88 paper in collaboration with Gemini G.E.L., the work forms part of Lichtenstein’s Surrealist series. Here, he merges the irrational juxtapositions of Surrealism with his signature Pop Art language, using precise printmaking techniques to control line, colour, and composition. The interplay between mechanical precision and imaginative imagery reflects his broader interest in reinterpreting art historical movements, transforming Surrealist ideas into a clean, graphic, and reproducible visual system.
  • "Pop art looks out into the world." 

     

    - Roy Lichtenstein

    Roy Lichtenstein’s Surrealist series reworks Surrealist imagery through a precise, structured approach. Rather than focusing on dreamlike psychology, he breaks figures and objects into bold, graphic forms, using flat colour, pattern, and clean outlines. By referencing artists like Picasso and Dalí, Lichtenstein transforms Surrealism into a controlled visual system, reinforcing his interest in reproduction and the language of art.