Two Apples, 1982: Woodcut on paper by Roy Lichtenstein

  • Two Apples, 1982 is a woodcut on paper by Roy Lichtenstein featuring a green apple and a red apple
    Two Apples, 1982
    Woodcut on handmade Iwano Kizuki Hosho paper, sheet: 75.9 x 99.7 cm (irregular)
    Edition of 60; plus 1 BAT, 14 AP, 1 PP
    ©The Estate of Roy Lichtenstein
    BACK TO: SEVEN APPLE WOODCUTS

     

    Two Apples, 1982 is a woodcut by Roy Lichtenstein from the Seven Apple Woodcuts series, where the artist reinterprets the traditional still life using bold brushstrokes and simplified forms. The composition centres on two apples surrounded by sweeping black and white gestural strokes that create movement across the surface of the print. These energetic marks frame the fruit while emphasising the expressive quality of the woodcut technique.
     
    To the left, a green apple lies on its side with the stem pointing toward the edge of the page. The fruit is defined by a long green brushstroke, with a smaller royal blue stroke behind it that adds depth to the composition. On the right, a second apple stands upright with its stem pointing upward and a green brushstroke suggesting a leaf. This apple is coloured with a red brushstroke and a yellow mark across its centre, creating a vibrant contrast against the surrounding monochrome strokes. Through this restrained yet dynamic arrangement, Lichtenstein transforms a simple still life subject into a bold exploration of colour, gesture and graphic form.
  • "In America the biggest is the best." 

    - Roy Lichtenstein

    Lichtenstein uses the apple as the foundation for exploring the long tradition of still life in art history. Apples have appeared for centuries in painting as simple yet symbolic subjects, often used by artists to study form, colour and composition. Lichtenstein takes this familiar motif and reinterprets it through bold brushstrokes and the woodcut printing process, stripping the fruit down to simplified shapes and graphic colour. By doing so, he connects a classical subject with the visual language of modern art, using expressive marks and printmaking techniques to transform the traditional still life into a contemporary Pop Art image.