-
Two Apples, 1982Woodcut on handmade Iwano Kizuki Hosho paper, sheet: 75.9 x 99.7 cm (irregular)Edition of 60; plus 1 BAT, 14 AP, 1 PP©The Estate of Roy Lichtenstein -
"In America the biggest is the best."
- Roy Lichtenstein
Lichtenstein uses the apple as the foundation for exploring the long tradition of still life in art history. Apples have appeared for centuries in painting as simple yet symbolic subjects, often used by artists to study form, colour and composition. Lichtenstein takes this familiar motif and reinterprets it through bold brushstrokes and the woodcut printing process, stripping the fruit down to simplified shapes and graphic colour. By doing so, he connects a classical subject with the visual language of modern art, using expressive marks and printmaking techniques to transform the traditional still life into a contemporary Pop Art image.
