Reflections on Minerva, 1990: Print by Roy Lichtenstein from his Reflections series

  • Reflections on Minerva, 1990 is a print from Roy Lichtensteins reflections series
    Reflections on Minerva, 1990
    Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper
    Sheet: 42 x 51 3/4 in. (106.7 x 131.4 cm), Edition of 68; plus 16 AP, 1 RTP, 1 PPI, 1 PPII, 1 A, 1 C
    ©The Estate of Roy Lichtenstein
    BACK TO: REFLECTIONS SERIES
     

    Roy Lichtenstein’s Reflections on Minerva, 1990, reinterprets the Roman goddess within the visual language of Pop Art and the late Reflections series. Positioned to the right of the composition, Minerva is rendered in red Ben-Day dots against a white ground, her startled expression defined by raised brows and sharply contoured black outlines. Her dark blue hair is crowned, accented with a red detail, while a hand enters from the right gripping her hair, the arm marked by a silver cuff. Above her, a speech bubble bearing her name reinforces the comic-strip aesthetic that underpins much of Lichtenstein’s practice.

     

    To the left, elongated fields of black Ben-Day dots on a yellow background are partially obscured by a grey reflective band, simulating glare across the surface. Executed in lithograph, screenprint and relief with metalised PVC collage and embossing on mould-made Somerset paper, the print measures 106.7 x 131.4 cm overall and was issued in an edition of 68 with artist’s proofs. The interplay between classical subject matter, comic-book styling and reflective distortion exemplifies Lichtenstein’s late exploration of image, reproduction and layered surface.

  • "Use the worst colour you can find in each place - it usually is the best." 

     
    - Roy Lichtenstein
    In the Reflections series, Roy Lichtenstein intensified his use of bold, high-contrast colour to heighten both drama and distortion. Saturated reds, yellows and blues are set against stark black outlines and fields of Ben-Day dots, creating sharp visual tension between figure and ground. These vivid Pop colours are then interrupted by metallic and grey reflective bands, which simulate glare and fracture the composition. The result is a dynamic interplay between flat, graphic colour and shifting optical effects, reinforcing the series’ focus on illusion, mediation and surface.