Reflections on Hair, 1990: Print by Roy Lichtenstein from his Reflections series

  • Reflections on Hair, 1990 depicts a figure with blonde hair holding her hand up against her face
    Reflections on Hair, 1990
    Lithograph, screenprint, woodcut, and metalized PVC collage with embossing on mold-made Somerset paper
    Sheet: 56 1/8 x 45 in. (142.6 x 114.3 cm), Edition of 68; plus 16 AP, 1 RTP, 1 PPI, 1 PPII, 1 A, 1 C
    ©The Estate of Roy Lichtenstein
    BACK TO: REFLECTIONS SERIES
     

    Roy Lichtenstein’s Reflections on Hair, 1990, is a powerful print from the Reflections series, presenting a close-cropped figure rendered in red Ben-Day dots. Thick black contour lines define the face, while expansive blonde hair sweeps dramatically across the composition. A raised hand in the lower right corner gently holds a strand of hair, introducing a subtle narrative gesture. The background is set against a deep matte green, intensifying the contrast between the saturated primary tones and the graphic linework.

     

    A horizontal band of grey, black, red and white Ben-Day dots cuts across the centre of the image, simulating glare and distortion as if the scene is viewed through glass. Executed in lithograph, screenprint, woodcut and metalised PVC collage with embossing on mould-made Somerset paper, the print measures 142.6 x 114.3 cm overall and was issued in an edition of 68 with artist’s proofs. The combination of reflective materials and layered print processes exemplifies the technical ambition of Lichtenstein’s late print practice.

  • "Actually, I love the Abstract Expressionists - or I like the ones I like, anyway."

     
    - Roy Lichtenstein
    In his later years, Roy Lichtenstein developed a highly sophisticated print process, combining lithography, screenprint, relief and woodcut within single works. He often added embossing and metallic or reflective materials, creating layered surfaces that shift with light. Collaborating closely with master printers, Lichtenstein approached printmaking as a primary creative medium, using technical precision and material experimentation to expand the visual impact of his late compositions.