Two Paintings: Dagwood, 1984: Roy Lichtenstein print from the "Paintings" series

  • Two Paintings: Dagwood is a print by Roy Lichtenstein showcasing Dagwood
    Two Paintings: Dagwood, 1984
    Woodcut & lithograph on Arches 88 paper, Sheet: 136.8 x 98.9 cm
    Edition of 60; plus 11 AP, 1 RTP, 1 PPII, 3 GEL, 1 C, 1 SP, 1 NGA
    ©The Estate of Roy Lichtenstein
    BACK TO: "PAINTINGS" SERIES
     
    Two Paintings: Dagwood, 1984 is a print by Roy Lichtenstein from the Paintings series that juxtaposes painterly abstraction with imagery from popular culture. The composition features two ornate white frames set against a bright yellow background. In the left frame, a painterly image composed of sweeping strokes in light blue, dark blue and white runs across the centre, referencing the expressive language of modern painting. The loose brushstrokes contrast with the precise framing and structured layout of the print.
     
    In the right frame, Lichtenstein introduces a recognisable character from mass media: Dagwood from the Blondie comic strip created by Chic Young in the 1930s. Dagwood’s face is rendered in red Ben-Day dots, with wide eyes and a startled expression, while his legs point upwards as if he is mid-fall. His distinctive red bow tie is visible beneath the face, reinforcing the character’s identity. By placing a comic-strip figure beside an abstract painting, Lichtenstein highlights the contrast between high art traditions and popular imagery, a central theme throughout his Pop Art practice.
  • "My work isn't about form. It's about seeing." 

     

    - Roy Lichtenstein

    Lichtenstein frequently incorporated imagery from cartoons and comic strips into his work, drawing inspiration from the visual language of mid-twentieth-century popular culture. By enlarging and isolating comic-style characters and scenes, he transformed material originally intended for mass entertainment into large-scale works of fine art. Lichtenstein carefully recreated the graphic features of printed comics, including bold outlines, flat primary colours and Ben-Day dots, emphasising their mechanical and reproducible nature.