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View from the Window, 1985Lithograph, woodcut, and screenprint on Arches 88 paper, Sheet: 202.1 x 85.4 cmEdition of 60; plus 11 AP, 1 RTP, 1 PPII, 3 GEL, 1 C, 6 SP©The Estate of Roy Lichtenstein -
"I'd always wanted to know the difference between a mark that was art and one that wasn't."
- Roy Lichtenstein
Roy Lichtenstein often used brushstroke imagery to reference the gestural language of painting, a process traditionally associated with spontaneity and emotion. In many of his works, however, these strokes are carefully designed and reproduced through printmaking techniques, turning what appears to be a free, expressive mark into a controlled visual element. By presenting brushstrokes as graphic forms rather than spontaneous gestures, Lichtenstein highlighted the contrast between the idea of painterly expression and the calculated processes behind his art.
