Imperfect 58" x 92 3/8", 1988: Print by Roy Lichtenstein

  • Imperfect 58" x 92 3/8", 1988, is a print by Roy Lichtenstein with an array of angular shapes

    Imperfect 58" x 92 3/8", 1988

    Woodcut, screenprint, and collage on Archivart 4-ply Museum Board

    Sheet: 58 x 92 1/2 in, 147.3 x 235 cm

    Edition of 45; plus 14 AP, 1 RTP, 1 PPII, 3 GEL, 1 C, 1 SP

    ©The Estate of Roy Lichtenstein

    BACK TO: IMPERFECT SERIES
     

    Roy Lichtenstein’s Imperfect 58" x 92 3/8", 1988, is a striking abstract composition from the Imperfect series, characterised by its bold geometric forms and vivid contrasts of colour and pattern. The print presents a dynamic arrangement of angular shapes divided by sharp black lines, creating a fragmented yet carefully balanced structure. Throughout the composition, Lichtenstein incorporates his signature Ben-Day dots in red, black and green alongside striped patterns in black, red, blue and green. These graphic textures sit alongside flat fields of grey, light blue, dark blue and red, producing a layered visual rhythm that draws attention to the interplay between shape, colour and pattern.

     

    Executed in woodcut, screenprint and collage on Archivart 4-ply Museum Board, the work demonstrates the technical ambition of Lichtenstein’s late printmaking. Issued in an edition of 45 with additional proofs, the monumental scale of the print enhances the impact of its intersecting geometric forms. Within the Imperfect series, Lichtenstein deliberately introduced irregular angles and unexpected compositional shifts, using colour contrasts and patterned surfaces to emphasise the tension between precision and apparent imbalance.

  • "I'm excited about seeing things, and I'm interested in the way I think other people saw things." 

     
    - Roy Lichtenstein
    Ben-Day dots are one of the most recognisable elements in the work of Roy Lichtenstein and play a central role in many of his prints and paintings. Originally used in commercial printing and comic books to create shading and secondary colours, Lichtenstein enlarged and carefully reproduced the dot pattern within his compositions. By doing so, he transformed a mechanical printing technique into a defining visual language of Pop Art. The dots add texture, depth and tonal variation while maintaining a flat, graphic surface, allowing Lichtenstein to exaggerate forms and emphasise colour contrasts within his images.