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Cathedral #6, State I, 1969Lithograph on Special Arjomari paper, sheet: 123.5 x 82.5 cmEdition of 13; plus 1 RTP©The Estate of Roy Lichtenstein -
"I wasn't sure pop art or my work would last more than six months."
- Roy Lichtenstein
Ben-Day dots are central to the visual language of Roy Lichtenstein, transforming a commercial printing technique into a defining feature of fine art. Originally used in newspapers and comic books to create shading and colour variation, these dots were designed to be invisible at scale. Lichtenstein reversed this logic by enlarging and isolating them, making the mechanical process itself visible and integral to the image. In works like the Cathedral series, the dots do not just fill space but actively construct form, replacing traditional modelling with a system of repetition and density.
