Entablature II, 1976: Print by Roy Lichtenstein from the Entablature series

  • Roy Lichtenstein Entablature II (1976), horizontal architectural composition with embossed fluted forms and decorative patterned bands.
    Entablature II, 1976
    Screenprint, lithograph, and collage with embossing on BFK Rives paper, sheet: 73.8 x 114 cm
    Edition of 30; plus 9 AP, 1 SP, 1 RTP, 1 PPI, 1 A
    ©The Estate of Roy Lichtenstein
    BACK TO: ENTABLATURE SERIES

     

    Entablature II, 1976, builds on Roy Lichtenstein’s exploration of architectural ornament, presenting a richly layered composition of horizontal bands derived from classical façade details. The upper register features a bold yellow strip punctuated by a repeating geometric motif, while beneath it a decorative frieze of scrolling forms is rendered in warm metallic tones. This intricate section contrasts with the lower band, where fluted, column-like elements and a central circular relief introduce a more restrained, structural rhythm. The composition is anchored by red and yellow accents at the edges, reinforcing the sense of order and balance across the surface.
     
    The work is defined by its emphasis on texture and material, achieved through a sophisticated combination of screenprint, lithograph, collage, and embossing. The raised, sculptural quality of the lower section contrasts with the flatter decorative bands above, creating a dynamic interplay between surface and depth. Lichtenstein transforms traditional architectural detail into a system of repeatable, mechanised forms, highlighting how industrial processes reshape notions of style and ornament. In Entablature II, decoration becomes both subject and structure, positioned within a precise, engineered visual language.
  • "My work isn't about form. It's about seeing." 

     

    - Roy Lichtenstein

    Lichtenstein’s Entablature series transforms classical architectural ornament into a structured, industrial language. Using motifs from New York façades, he reduces decorative detail into repeated, precise bands, emphasising symmetry and fabrication. Through embossing and metallic surfaces, the works highlight the tension between texture and flatness, positioning ornament as a product of modern industrial processes rather than historical style.