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Banksy, Kissing Coppers, 2004.
Brighton, England.
© Banksy. -
“Art should comfort the disturbed and disturb the comfortable.”
– Banksy
The piece was first unveiled in Brighton, a city synonymous with LGBTQ+ visibility and pride. By choosing this setting, Banksy tapped into local identity while addressing broader questions about tolerance, masculinity, and the performance of authority. The juxtaposition between the officers’ stern appearance and the softness of the act unsettles assumptions about both sexuality and power.Over time, the work became a flashpoint for debate about the place of street art in public space. Its later removal and sale on the art market only deepened that tension, raising questions about whether acts of rebellion can survive when framed, traded, and preserved. -
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