BANKSY // Choose Your Weapon, 2009

  • Banksy’s 2009 Choose Your Weapon man walks dog in Keith Haring style, anti-conformity message.
    Banksy, Choose Your Weapon, 2009.
    Spray-paint and emulsion on board, in two parts, 237 × 244.3 cm. Unique.
    Signed and dated “Banksy 09” on the reverse.
    © Banksy.

    Choose Your Weapon is one of Banksy’s most powerful and enigmatic artworks. First appearing overnight in 2010 on a wall in Southwark, London, it features a masked, hooded youth walking Keith Haring’s iconic cartoon dog on a chain. The graffiti was quickly boarded up, only to be preserved by local fans beneath protective Perspex. With its stark silhouette and urban tension, the work comments on rising youth violence and gang culture in Britain at the time - especially the use of dogs as status symbols or weapons. Yet, by replacing a threatening animal with Haring’s playful street-art motif, Banksy subverts expectations and turns a symbol of aggression into one of expression and resistance.

     

    The title, written in second person, implicates the viewer directly. This is no passive observation - it's a call to action. Banksy flips his usual critique of institutions outward, asking us to reflect: what is our weapon of choice, and what are we doing with it? 

     
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  • "Graffiti ultimately wins out over proper art because it becomes part of your life"

    - Banksy 

    First unveiled in 2010 on a wall in Southwark, London, Choose Your Weapon is a striking image of a hooded youth walking Keith Haring’s iconic barking dog on a chain. At a time when youth violence and gang culture dominated headlines, Banksy subverts the association of dogs as weapons by swapping menace for playfulness, using Haring’s cartoon motif as a symbol of creativity and resistance. The piece, quickly shielded by locals behind Perspex, has become one of Banksy’s most recognisable works.
     
    The title directs the challenge at the viewer. By framing the question in the second person, Banksy turns social critique into a personal confrontation, asking us to consider how we wield power - through violence, through fear, or through art.
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