• Rude Copper, 2002
    Screen-print on wove paper
    59cm x 42cm
    Edition of 250 (50 Signed)

    Rude Copper, 2002

    Rude Copper, 2002 continues Banksy's reocurring motif of depicting law enforcement. Pictured in a British police officer's uniform and swearing at the viewer, it demonstrates Banksy's commentary on the behaviour and attitudes of authority figures.
     
    This piece is one of his earliest prints and were originally sold from the back of his manager's car, but has now become an important part of Banksy's print release history. Considered to be one of Banksy's first commerical pieces, the form of this print set a precident for his approach to printed forms of the murals.
     
     
  • "Most artists have an obsession that defines their work. Monet had light, Hockney has colour, I've got police response times"

     

    - Banksy

    These themes occur in many of his works, often reoccuring during times of political unrest or after a major incident in relation to a police incident. Banksy has a unique relationship with the law since his practice itself is considered criminal, and members of authority are frequently criticised by him or are the butt of the joke. Consistently critical of people in positions of power, this work contributes to Banksy's apparent dislike of the police presenting the officer as disrespecting and insulting the viewer, rather than fulfilling the purpose of the role, supporting the community. 
  • Banksy, Existencilism Book, May 2002