• MONKEY QUEEN, 2003
    Screen-print on wove paper
    50cm x 35cm
    Edition of 750 (150 Signed)

    MONKEY QUEEN, 2003

    Monkey Queen, 2003 was a print originally released to mark the Diamond Jubilee of Queen Elizabeth II. Depicting a monkey wearing a very ornate crown and bejewelled accessories, it's a clear reference to the British monarch through it's incorporation of her signature hairstyle and crown, espeically when combined with the background. The colours in this piece not only use the colours of the Union Jack, the backdrop is also a roundel, a graphic design used by both the RAF and later appropriated by Mod culture, both of which are considered quintessentially British. 
     
    The significance of monkeys in Banksy's work shouldn't be understated. Animals are often used inplace of humans to add to the metaphorical importance of his work. In this particular piece, a connection can be made with Laugh Now, 2003. Both present monkeys as the subject, however Laugh Now, 2003 presents the monkey as the oppressed and implies exploitation, whereas it's use in Monkey Queen, 2003 can be interpreted as saying there is no difference between royalty and the general public, suggesting we are all monkeys in the end.
     
  • "We the people, affect the making and quality of most of our culture, but not our art"

     

    - Banksy

    Criticism of the British establishment is hardly a new theme in Banksy's work. This motif was also used in his later Devolved Parliament, 2009 painting, which replaced members of the House of Commons with monkeys, showing the continued relevance of this form of satirism even further on in his career. The ironic positioning of monkeys in positions of power is a clear comparison of those in charge to animals, but can also be interpreted as questioning where we stand as a society in relation to the natural world.