The meticulous detail in the counterfeit notes underscores the absurdity of assigning value to money, while their distribution questions the permanence of art itself. The uncut sheets also play with the concept of value, both in art and in currency, as the altered notes transition from a cheeky public stunt to sought-after collectible artworks. By placing these counterfeit notes in a high-demand art market, Banksy raises questions about the arbitrary value assigned to objects, whether as money or art. These tiny yet deliberate changes invite closer inspection, rewarding audiences who engage with the work more deeply. Furthermore, the mass production aesthetic of the prints contrasts with their eventual scarcity, as only 50 uncut sheets were released officially. This juxtaposition amplifies the irony of creating 'rare' objects inspired by something as ubiquitous as currency.