-
Banksy, Flower Thrower (Love is in the Air), 2003.
Spray paint on wall, Jerusalem, Israel.
Artwork © Banksy. Photo © Alamy Stock Photo. -
Anonymity and the Banksy Myth
-
Banksy, Exit Through the Gift Shop, 2010.
© Banksy, © Alamy Stock Photo. -
"If you want to say something and have people listen then you have to wear a mask. If you want to be honest then you have to live a lie."
- Banksy, Wall & Piece
Banksy’s anonymity is central to his practice. By keeping his identity hidden, he is able to carry out large-scale works in public spaces without immediate consequence, despite the fact that graffiti is still considered vandalism under the law. This secrecy grants him the freedom to work quickly and boldly, transforming city walls into canvases that carry powerful political and social messages. Beyond practicality, his hidden identity adds to the mythology of Banksy himself. By removing the artist from the image, the audience is pushed to focus on the work, the message, and the issues being raised rather than the man behind the stencil.At the same time, his role as an anonymous figure gives him a kind of masked Robin Hood presence within contemporary art. Striking at institutions of power, capitalism, and authority, Banksy uses his invisibility to balance subversion with impact. -
Charitable Works and Social Causes
-
Banksy, CS Gas Bust, 2017.
Smoke canister, bust, poly-fil, 202 × 74 × 50 cm. Exhibited at the Walled Off Hotel, Bethlehem.
© Banksy. -
MOTIFS AND SYMBOLS
-
Few artists have reshaped contemporary art as profoundly as Banksy, and at the core of his influence lies a powerful visual language built on recurring motifs. From the scrappy rats that became his earliest trademark to masked protesters, riot police, and delicate symbols of hope like the Girl with Balloon and the Flower Thrower, Banksy has developed a set of instantly recognisable images that communicate across borders and generations. These motifs, simple yet charged with political and social meaning, form the foundation of his practice, reappearing in his editions, street works, and large-scale projects alike. Whether in viral exhibitions like Dismaland and the Walled Off Hotel, or in headline-making moments such as the 2018 Sotheby’s shredding, it is the strength of this imagery that keeps his art at the forefront of cultural dialogue, cementing his place as one of the most iconic artists of the 21st century.