THE ARRIVAL OF SPRING, 14 MARCH, 2011: Signed iPad work by David Hockney

  • The Arrival of Spring in Woldgate, 14th March, 2011 is an iPad print on paper printed in an edition of 25

    The Arrival of Spring in Woldgate, 14th March, 2011

    iPad drawing printed on paper, 55in x 41.5 in

    Edition of 25

    @David Hockney 

    BACK TO: ARRIVAL OF SPRING IN WOLDGATE
     
    The Arrival of Spring in Woldgate, 14 March 2011 by David Hockney depicts a Yorkshire country lane, lightly curving beneath bare, interlacing branches, with touches of green to highlight the moss on the branches. The road, bordered by soft roadside grass and a red horse-crossing sign, is portrayed with expressive linework that captures the scene’s gentle transition into spring. The tunnel, which is formed via the spindling branches lead to a cool-toned blue finish in the background of the composition. 
     
    The Arrival of Spring in Woldgate, 14 March, 2011, sits within a series which occupies a distinctive position within Hockney's wider practice. Conceived as a cohesive digital project rather than a group of standalone works, the series introduced a new way of thinking about printmaking while remaining rooted in Hockney’s long-established visual language. Its early institutional exposure, controlled release structure, and continued visibility across both private and public markets have supported long-term confidence among collectors. You can read more about the market of the series through our market analysis.
     
    If you are interested in The Arrival of Spring, 14 March, 2011, please get in touch below.
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  • "I believe that the very process of looking can make a thing beautiful." 

     

    - David Hockney

    The Arrival of Spring in Woldgate, 14 March 2011 demonstrates David Hockney’s technical control of digital mark-making, with the woodland constructed through layered lines that build spatial depth from background to foreground. Repeated, fine strokes create a sense of density and rhythm within the trees, while broader blocks of colour replicate the physical weight and movement of traditional brushwork, reinforcing the structure of the landscape rather than relying on surface colour alone. You can view other works from the Arrival of Spring series here. 

  • Close-ups: THE ARRIVAL OF SPRING IN WOLDGATE, 14 MARCH, 2011

  • Frequently asked questions about: The Arrival of Spring, 14 March, 2011

     

    What is the typical market value of The Arrival of Spring, 14 March 2011?

    Market value for The Arrival of Spring, 14 March 2011, depends on multiple factors, including condition, signature quality, provenance, and recent auction comparables. Values can vary, so up-to-date market guidance and individual assessment are important when reviewing a specific example.

     

    What key checks help confirm authenticity for The Arrival of Spring, 14 March 2011?

    When assessing the authenticity of The Arrival of Spring, 14 March, 2011, it is important to confirm the edition number and signature. Provenance is the best way to reliably check the authenticity of works in The Arrival of Spring series. If you have a question regarding the authenticity of your work, you can get in touch and ask one of our specialists. 

     

    How can I check current availability for The Arrival of Spring, 14 March 2011?

    Availability for The Arrival of Spring, 14 March, 2011 changes over time across private collections, galleries, and the secondary market. The most accurate way to check current availability is to enquire directly, if you are looking to acquire The Arrival of Spring, 14 March, 2011 you can do so above.